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Unique resources created by an experienced Secondary English and History teacher. These are academically rigorous resources that target children between 13 and 18 years of age.

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Unique resources created by an experienced Secondary English and History teacher. These are academically rigorous resources that target children between 13 and 18 years of age.
12 Essential English – Hero and Villain Pop Culture Unit – Conventions of hero films
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12 Essential English – Hero and Villain Pop Culture Unit – Conventions of hero films

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About the PPT: The lesson begins with an activity which asks the students to brainstorm some attitudes they associate with heroes. The slide includes a reminder of what an attitude is and some answers which pop up when you click. There is a viewing activity from YouTube about heroic archetypes which goes for 11 minutes which you can watch to gather further heroic traits from. This is followed by an explanation of what a nemesis is and some of their qualities. Next some common conventions of hero texts are explained. Joseph Conrad’s hero’s journey monomyth is explained. Some information about criticism of this monomyth is provided as well as information about the emergence of films which have female leads. Subsequently student are introduced to a music video report card which they will fill in as we watch the 3 films this term. Screen shots are included on the slides so I could explain the various parts. We quickly recap language features (especially cinematic devices) discussed in earlier lessons. More information is provided about music and sound effects (diegetic and non diegetic sound). Information about factors which influence the listener are explained and list of words for describing music care provided. Next the impacts of light and shadows are explained. The following are explained: high-key lighting, low-key lighting, backlighting and shadow. Next the following transitions are explained in more detail – fade, dissolve, wipe and cut. Themes are explained with a visual showing common themes. Lastly, students are introduced to the film they will watch in future lessons – Batman Forever. They watch the trailer, get some contextual information to add to their report card, are shown images of each of the characters and read a brief synopsis of the plot. About the Word Doc: A movie review retrieval chart for students to fill in during subsequent lessons. Context: A lesson designed for use in a 12 Essential English classroom in Queensland, Australia as part of Unit 4: “Representations and popular culture texts.” During this unit students learned about Hero and Villain films and how filmmakers use cinematic techniques to portray them and create an intended message. Their assessment at the end of this unit was to write a 4-6 minute multimodal (speech) to be delivered live or pre-recorded reviewing one of the three films shown within the unit.
Aussie Stereotypes - True Blue + Kath and Kim
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Aussie Stereotypes - True Blue + Kath and Kim

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PowerPoint: Watching an Australian music video to identify the various Australian identities and pastimes it features (to discuss whether these are accurate or stereotypical). Watching an excerpt of a sketch comedy program called ‘Big Girl’s Blouse’ (1994) where Kath and Kim originated. The youtube link to the sketch ''Kim's Wedding'' is included. Post-viewing questions and answers are included.
Essential English – learning about domestic violence
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Essential English – learning about domestic violence

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A lesson designed for use in a 12 Essential English classroom in Queensland, Australia as part of Unit 3: “Language that influences.” During this unit students learned how to create and shape perspectives on community, local and global issues in texts. Their assessment at the end of this unit was to write a 4-6 minute persuasive multimodal (speech) to be delivered live or pre-recorded about an issue of their choice. A PPT which structures the lesson. It began with 10 minutes of silent reading as a settling activity. This is followed by a reminder of what social issues are. This is followed by a viewing activity on ABC iView – You Can’t Ask That’s episode on ‘Domestic Violence’ (from series 4). There are 7 questions for students to answer as they watch. This is followed by some slides of research I found. It includes a definition of domestic violence and the types. There is some information about the QLD Domestic and Family Violence Protection Act (2012). Some key points from the Act are included in dot point form. After this students were split into groups and had to design a poster. There were 7 different options. This was followed by some information about conjunctions as a cool down. A worksheet with the viewing questions
Essential English – Experiences of contemporary Indigenous Australians
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Essential English – Experiences of contemporary Indigenous Australians

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A lesson designed for use in a 12 Essential English classroom in Queensland, Australia as part of Unit 3: “Language that influences.” During this unit students learned how to create and shape perspectives on community, local and global issues in texts. Their assessment at the end of this unit was to write a 4-6 minute persuasive multimodal (speech) to be delivered live or pre-recorded about an issue of their choice. A PowerPoint which structures the lesson. It begins with a reminder of what we are learning about and persuasive techniques (the P.E.R.S.U.A.D.E Acronym). Students are asked to list some persuasive texts which they encounter in their daily lives. A review of the 3 types of appeal (reason, character and emotion) is included. Following this, students have 4 questions to write down for as they view the “You Can’t Ask That” episode about Indigenous Australians on iView. There are some answers providing on the subsequent slides. There is also a viewing activity (an anti-racism PSA called “The Invisible Discriminator”) which is good for generating discussion. To conclude the lesson, there is a paragraph writing activity for students to write a paragraph a out the social issues which Indigenous Australians experience. I included additional information for if the lesson finished early. It includes information about kinship, the role of elders and texts which are useful for gaining an understanding of Indigenous histories.
12 Essential English – Unit Plan and Scope and Sequence for IA1 (Persuasive Speech about an issue)
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12 Essential English – Unit Plan and Scope and Sequence for IA1 (Persuasive Speech about an issue)

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Unit plan designed for a 10-week term of 12 Essential English. It includes a subject description, a description of the unit, a list of unit objectives (from the syllabus), my planned teaching and learning cycle, the unit learning intentions and success criteria, assessment task details and a list of recommended resources. A Scope and Sequence suggesting topics to be covered throughout the term is also included (as taught by me in 2023). The learning resources (PPTs, worksheets etc.) for the unit are also available in My Store.
10 English: Public Speaking tips
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10 English: Public Speaking tips

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Part of a set of resources created for a year 10 English class in Australia (ACARA syllabus). The other resources are also available in my store – Aussie_Resources. A PowerPoint designed for use in a 70 minute lesson. A warm up game of real news vs fake news. This is followed by several slides which explain what students need to do to get good marks for their spoken presentation. This is followed by a variety of prompts for ‘30 second speeches’ every student has the opportunity to practice using the verbal and non-verbal speech techniques they learned earlier in the lesson.
Ned Kelly English Unit - Black Snake - Chapter 6
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Ned Kelly English Unit - Black Snake - Chapter 6

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A lesson PowerPoint. It begins with a proofreading activity (an excerpt from Chapter 5). Followed by a mini lesson on using an apostrophe to make contractions. This includes examples and non examples and a series of activities which progress through the I do, we do, you do phase of the gradual release of responsibility pedagogy. In upcoming lessons, students will write a persuasive essay to convince their readers of their perspective about Ned Kelly’s guilt or innocence. Students will read chapter six of Black Snake and complete activities so that they can use evidence from the novel to develop their argument about whether Ned Kelly was a victim, a villain or a hero. They learn about mood and tone and apply their new knowledge to the fictional passage at the beginning of the chapter. The PowerPoint ends with a summary of the chapter and some questions to be completed for homework. A handout with the activities for Chapter 6 which students will complete throughout the lesson. Part of a set of resources created for a year 7 English class in Australia (ACARA syllabus). The other resources are also available in my store - lrigb4. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced). The focus text is ‘Black Snake: The Daring of Ned Kelly’ by Carole Wilkinson.
Ned Kelly English Unit - Language features in Black Snake + reading the rest of Chapter 1
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Ned Kelly English Unit - Language features in Black Snake + reading the rest of Chapter 1

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Part of a set of resources created for a year 7 English class in Australia (ACARA syllabus). The other resources are also available in my store - Aussie_Resources. Designed for use in 70 minute lessons (with extra activities as a back up if the class is advanced). The focus text is ‘Black Snake: The Daring of Ned Kelly’ by Carole Wilkinson. 1) Lesson PowerPoint The beginning of the PowerPoint introduces students to some of the key language features used in the novel Black Snake with definitions, examples and examples from Black Snake. The language features are colloquialisms, idioms, figurative language {similes / metaphors} & descriptive language {adjectives.} Afterwards there are some comprehension questions. Afterwards we look at a picture book – ‘Ned Kelly and the Green Sash’ written by Mark Greenwood and illustrated by Frane Lessac. As we read the story, students are encouraged to think about the language and visual features used and the effects they create in telling the story. Afterwards, the students can read the remainder of chapter 1 filling in the retrieval chart. If there is time at the end, there is a slide about how to identify factual information from evaluative language and a slide summing up the events in chapter 1. 2) A retrieval chart for students to summarise what they have learned while reading Chapter 1.
Modern History – Age of Imperialism – Scramble for Africa – Paragraph Writing and Referencing
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Modern History – Age of Imperialism – Scramble for Africa – Paragraph Writing and Referencing

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A PowerPoint used to teach a combined class of 11 and 12 Modern History students. It begins with information about significance (one of the historical concepts). The N.A.M.E acronym for determining whether something is significant is explained. Then the Learning Intention and Success Criteria for the lesson are unpacked. The core part of the lesson begins with information about why we reference and what this might look like in an exam vs an assignment. There is a slide explaining how to in text reference (with examples). This is followed by slides about paragraph writing. Students are presented with two acronyms which they can use – extended TEEL and the TEEASC structure from the History Skills website. There is an example paragraph from an essay about the Cold War written by a student. This is followed by information about how to unpack an exam question and what is required of a ‘to what extent’ response. There is also information about how to do a quick plan before writing an essay / paragraph. For the remainder of the lesson students have 3 questions to respond to in paragraph form (about Leopold II and imperialism in the Congo). Resources designed for the senior Modern History syllabus (implemented in QLD in 2019). The syllabus objectives would also be useful more broadly for students in other states and countries with an interest in The Scramble for Africa.
Modern History - Evaluating sources about Youth in Nazi Germany
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Modern History - Evaluating sources about Youth in Nazi Germany

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Resources designed for the new senior Modern History syllabus (implemented in QLD in 2019). This lesson includes: 1 x list of source types for warm up evaluation activity (can be laminated with a magnet on the back for sorting activity) 1 x PowerPoint 1 x Source Booklet with sources about Hitler Youth 1 x Independent Work Booklet with various activities designed to help students practice the evaluation skill Context: My school runs this program in Alternative Sequence (yr 11 and 12s in together) due to the small size of the school. The lesson begins with some teaching that both grades can do together before the year 12s are assigned some independent work and the year 11s are given some more focused teaching. Then the year 11’s do independent work while the year 12s share their answers and receive feedback. The sequence of the lesson: The lesson begins with a warm up activity where students have to place types of sources on a grid in terms of how reliable and useful they typically are. Next students have to brainstorm some synonyms and antonyms for ‘reliable’ and ‘useful.’ Following this, year 12s are given a booklet which has evaluation activities (starting at simple activities and building up to those styled like the short response questions in the Term 4 exam). They begin completing these while the year 11’s get a more teacher centred lesson. In this portion of the lesson we begin with defining ‘evaluate’ before zooming in on the evaluation criteria we use in modern history – reliability and usefulness. There is information about what reliability is and that there are levels of reliability. There are tips for how to write a judgement of reliability and some things to look for when determining reliability. There is a list of reasons why a source may be deemed unreliable. There is an example reliability statement which has been colour coded to show how the writer has included various features of evidence in their evaluation. Following this, the gradual release method is used to engage with the first few sources in the booklet. (I explain the first activity, we engage with Source 1 and then complete the question together – with me modelling my thinking process via think alouds. Students then do Source 2 as a pair and Source 3 on their own). This is followed by explicit teaching on how to determine the usefulness of a source. There is also information about the importance of corroboration (including a video from the History Skills website). This is followed by some sentence starters which can be used when corroborating. This is followed by completing activities from the booklet (first as a we do, then students do one in a pair, then they do one on their own). Following this, the year 11’s continue doing the booklet independently while I go through the answers with the year 12s.
Deadly Unna: Unit Introduction
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Deadly Unna: Unit Introduction

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A unit introduction PowerPoint for a unit entitled Literary Representations of Australia. Within this unit, students learn about Australian identity and then consider how this is represented in the novel Deadly Unna? By Phillip Gwynne. The PPT includes an assessment overview, a discussion of what it means to be Australian and how our Australian identity is constructed and defined. Students completed a brainstorming activity based on texts they viewed in the last few weeks of the previous term. A thought-provoking poem entitle ‘How Australian are You’ is included to prompt discussion of the many ways of being Australian and some of the stereotypes which exist about us. This is followed by a think-pair-share activity. Following this, students are introduced to the term representations. They are then shown the first two verses of the Australian national anthem to explore (with 4 questions). This is followed by a paragraph writing task to consolidate what they have learned. If time permits, students are introduced to some critical literacy terms: marginalised and silenced. Students are also talked through the elements of their novel study booklet. Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Deadly Unna: Student booklet
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Deadly Unna: Student booklet

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A student work booklet for use while reading the novel Deadly Unna? It includes: a synopsis, a list of the key themes, a retrieval chart for recording language features they encounter, a retrieval chart for recording the most effective textual structures within the novel, a table for recording key details about the characters (character names pre-filled), a set of post reading questions (for once they have finished reading the novel), some information about an event which inspired the novel & some activities to help students gather their ideas for their essay under exam conditions. Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Deadly Unna: Chapters 16-21
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Deadly Unna: Chapters 16-21

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A PowerPoint used to teach chapters 16-21 of Phillip Gwynne’s 1998 novel Deadly Unna? As these chapters weren’t crucial to the task, I summarised them rather than reading them with the class. This PowerPoint contains a summary for each chapter and then slides with chapter questions (no answers). The PPT also includes a creative writing activity for fast finishers (a way of exploring perspective). Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Deadly Unna: Chapters 36-41 and assessment preparation
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Deadly Unna: Chapters 36-41 and assessment preparation

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A PowerPoint used to teach chapters 36-41 of Phillip Gwynne’s 1998 novel Deadly Unna? We would read one chapter at a time (or listen to the audio book on CD) and then students would answer the chapter questions. This PowerPoint contains a summary for each chapter and then slides with answers to the chapter questions. The PPT also includes post reading questions and some assessment preparation. It explains the major text structure of the novel (division of book into ‘summer’ and ‘winter.’) Students are asked to determine what they believe the intended reading of the novel is. There is a paragraph writing activity about the representations of Australia within the novel. There are also key terms for students to define in their glossary. Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Deadly Unna: Key Themes
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Deadly Unna: Key Themes

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The lesson begins with an explanation of what themes are, and an image of common themes in literature. Following this there are slides explaining the following themes: Masculinity (and toxic masculinity) Racism The importance of family Mateship Duty and Sacrifice Examples from the novel are provided. This is followed by a practice question + some planning activities around this question. Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Deadly Unna: Key Settings in the Novel
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Deadly Unna: Key Settings in the Novel

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This lesson is designed to help students revise for their upcoming exam by reviewing the major settings in Phillip Gwynne’s 1998 novel Deadly Unna? It begins by explaining what ‘setting’ means. An example structure for a paragraph about setting is provided (check boxes). An overview of the following settings is provided (including significant quotes from the novel). The Jetty The Beach The Pub The oval and sports facilities The cemetery The Point (mission) The question we used in this year was “To what extent is Deadly Unna by Phillip Gwynne a realistic representation of modern-day Australia?” Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Deadly Unna: Novel Study Unit Plan & Scope and Sequence
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Deadly Unna: Novel Study Unit Plan & Scope and Sequence

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Two resources: A unit plan which includes: a unit description, key questions for the unit, a breakdown of the learning intentions & success criteria, some planning resources, key details about the assessment, scaffolding notes for the assessment {cognitive verbs, a structure, evaluative language, other expected language features}. A list of the themes in the novel. Questions for a self/peer review (student reflection). Reflection questions to be used at the end of the unit (teacher reflection prompts). A Scope and Sequence which outlines how I taught the unit. (My school has 4 x 70 minute lessons a week). Resources designed for 10 English in Queensland, Australia. It is part of a novel study unit which culminates in a 90-minute examination (500 to 800-word essay). Students had 1 week notice of the question and could bring 100 words of notes in with them. Within this unit students explored how an author’s use of language features, images and vocabulary contributed to the representation of themes in the novel. They also gained a deeper understanding of key literary techniques, including (but not limited to) characterisation, plot, and setting.
Homework booklet for students reading Once by Morris Gleitzman
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Homework booklet for students reading Once by Morris Gleitzman

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Includes 6 weeks worth of homework activities including chapter questions, a vocabulary list (and activities) and tips for creative writing. It steps students through an assessment task which requires students to write a short story (a transformation of a section of the novel and a preface justifying their creative decisions). Specific task details are below. Mode/Medium: Imaginative Written short story (fiction). Subject Matter: Throughout time short stories have captured the imaginations of both readers and listeners. A good short story will capture the interest of its audience and hold it to the end. Purpose: To entertain and demonstrate your knowledge of the short story genre. Task: For this task you have a choice: 1. Write an imaginative short story that creates a character or “gives voice” to a silenced or marginalised character in the novel that you have studied in class. 2. Place the character into the novel which you have studied in class. This can be at the beginning, the middle or end of a scene. For example, you might write from the perspective of someone who observed an event, assisted the protagonist or befriended them. Or you may create a new character. E.g. A new best friend for the protagonist. Your teacher will explain what it means to “give voice” to a character in a novel. Your character must interact with the novel’s protagonist. You may change the storyline and plot to accommodate your character if you desire, however, your story must remain true to the themes and setting of the novel. (E.g. you can’t turn it into a comedy or change the country where the novel is set). Requirements: Length is to be 400-500 words plus a 100 word preface explaining how the story is both original and imaginative. You must demonstrate that you have a sound knowledge of short story conventions and adhere to the short story structure. You can make your story both original and imaginative in the following ways: • Creative use of the conventions of a short story, for example a twist at the end. • Create non-stereotyped characters that make unpredictable choices. • Juxtapose related texts. • Promote alternative beliefs and values through your writing.